Archive for the ‘Writing’ Category

If You Think You Want To Be Published, What Should You Do?

Want to be published? Learn about the industry!So, what do you do when you think you want to get something published?

Here are a few tips for where to start when you have something to say and want to see it in print.

Know your goals. Sometimes self-publishing is a better option than pursuing traditional publishing (if you’re writing a book that you want to give to prospective clients, for example, or if you’re writing the history of your family). Self-publishing done right can be cheaper, quicker, and easier– as long as it fits your goals. You can read a few more thoughts on deciding between traditional publishing and self-publishing at an earlier post.

If you’re serious about getting published, join a writers’ critique group and get feedback at a local level before submitting. Other writers can see things you’ve missed, ask questions that help you clarify what you’ve written, and just offer good advice for the journey. You don’t have to take all the advice you receive, but you’ll find your work strengthened by the exposure to feedback from other writers.

If you’re not absolutely confident that your grammar, punctuation, and word usage are extremely good, hire an experienced copyeditor to clean up your manuscript before you submit or self-publish. Traditional publishers want to see material that is close to publication-ready. Editing is time-consuming, so don’t expect to get a good job free (unless you’ve married an editor;-)).

If you want to be published traditionally, learn about the industry. Read writing magazines; read a lot of good work in your genre; get Writer’s Market and learn about the submission process; and go to writer’s conferences and workshops. In any field, it’s necessary to learn and practice the basics before you can expect to succeed. You probably wouldn’t expect to be hired as a symphony violinist if you’ve taken only six weeks of lessons, so it’s reasonable to assume that there’s a learning curve for the writing and publishing process as well.

Accept the fact that there are standard procedures and timetables in the publishing industry, and you can’t change them. Stephen King or J.K .Rowling may be able to get special treatment, but novice writers needn’t expect anything special. It pays to learn to learn about the industry so that you won’t accidentally sabotage yourself through impatience or lack of knowledge.

Get involved with the writing/editing/publishing industry. Join a writer’s association such as NAIWE, the National Association of Independent Writers and Editors, where you’ll learn a lot more about writing, editing, publishing, and marketing your work.

Finally, enjoy the process. It can be challenging and frustrating at times, but writing is worth it.

Just Do Something: How to Escape the Slush Pile

Just Do Something by Kevin DeYoungI’ve been reading Just Do Something: A Liberating Approach to Finding God’s Will or How to Make a Decision Without Dreams, Visions, Fleeces, Impressions, Open Doors, Random Bible Verses, Casting Lots, Liver Shivers, Writing In the Sky, Etc. by Kevin DeYoung. I picked it up at a recent conference, not because I have trouble with decision-making, but because I’m a sucker for a catchy title (there’s a lesson there for publishers).

It’s a solid little book that takes a serious look at the harm done by indecision, waffling, inconsistency, and the unwillingness to just put a hand to the proverbial plow and get moving. Spiritualizing indecision and inaction may make it more socially acceptable, but it doesn’t make it a more effective life strategy. Just Do Something is more than just a title, it’s a strategy that works.

How does this book relate to writing and escaping the slush pile? Take a minute to read Stephanie Blake’s inspiring blog post, “How I (Finally) Got a Book Plucked From the Slush Pile,” to get a good look at exactly what “just do something” looks like in the writing world. Stephanie chronicles a year by year saga of her long road to publication heaven, and the thing that stands out is that she simply kept doing something.

Like many unpublished writers, she learned through the process–through slammed doors, frustrating rejections, and tantalizing “almosts.” She went to conferences, worked with agents, did revisions, and did it all again and again. She didn’t wait for the stars to align, for approval from others, or for anything else before she started sending out her work. She sent and sent and sent. She revised. She sent some more. Finally the miracle happened, and The Marble Queen was plucked from the slush pile and accepted.

If she hadn’t written this blog post, there would have been unpublished writers who commented enviously about luck and overnight success and people who get all the breaks (I know, I’ve heard all that– many times, and if you’ve been through Lucky Freelancer coaching with me, you’ll know exactly how to turn those excuses upside down). There’ll probably still be writers who say things like that, but that’s because they’re not out there doing something. They’re just a little too busy–way too busy–to do all that sending and revising and resending, but one day, just watch, they’ll get the call too. Or not.

The fact is that  just do something is the key to almost everything. The book is good too. I’ll be sharing it, so don’t be offended if I send it your way. Just do something!

Serendipity and the NAIWE Summer Challenge

I had a few rough ideas of what I’d like to accomplish for the NAIWE 2010 Get it Done Summer Challenge. If you haven’t checked it out, the three parts of the Challenge are:

  1. Read three books that will stretch your mind and inspire your creative spirit.
  2. Finish one project that’s been nagging at you for longer than you care to admit.
  3. Brainstorm a new project that will bring you an additional stream of income, then take the first step to make it happen.

NAIWE 2010 Get it Done Summer Challenge

I read Sheri McConnell’s Smart Women Know Their Why (see review in the preceding post) for the first of my three books, and have a teetering stack from which I can choose the remaining two official Challenge books. This is the easiest part, because I know that before summer is over, I’ll have read quite a few more than three books. I schedule morning and evening reading times so that I can bracket each day in knowledge, inspiration, and sometimes, just plain fun.

The second element of the Challenge was to finish a nagging project. I finished a huge one just a few weeks ago, so considered counting it and coasting on this option. However, another nagging project has been to learn more about financial management, retirement planning, and all that goes into being a good steward of resources. So that got added to the list for Part 2 of the Challenge.

The final challenge piece is where serendipity kicked in. I brainstormed a great list of projects that could bring in an additional stream of income (some of them would also qualify as nagging projects), and was trying to decide which to pursue when a brand-new project dropped into my lap. Serendipitously, it happens to fulfill not only the final element of the Challenge, but the second as well.

For Part 3 of the NAIWE challenge, I’ll be producing a book on personal finance and estate planning. I just love serendipity! The author has provided a large collection of written work that needs to be transformed into a book and prepared for publication (compilation, editing, layout, cover, etc.). I’ve begun to work with it, and I can already tell I’m going to learn a lot about finance. It’s also going to be a very large project with a very short deadline, so I’m scheduling the rest of the summer pretty tightly. I’m grateful to have such an interesting project come my way, and doubly delighted at the serendipity of it all.

So…what are you doing for the NAIWE Summer Challenge?

Great Rules of Writing, Possibly by William Safire

I occasionally want to refer someone to these amusing “rules,” so I decided to post them here for future reference. Enjoy!

  • Do not put statements in the negative form.
  • And don’t start sentences with a conjunction.
  • If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing.
  • Never use a long word when a diminutive one will do.
  • Unqualified superlatives are the worst of all.
  • De-accession euphemisms.
  • If any word is improper at the end of a sentence, a linking verb is.
  • Avoid trendy locutions that sound flaky.
  • Last, but not least, avoid cliches like the plague.

I believe they were written by William Safire, but am not positive. If you know for sure, please feel free to comment!

How to Read a Writing Magazine

I was lucky enough to pick up a few gently used writing magazines from our library’s give-away basket a couple of weeks ago. As I read them, I was reminded of the college textbooks I’ve occasionally bought and sold online. Often, when I’ve purchased a textbook from a user who mentioned getting an “A” in the class, the book has been in “acceptable” condition. There is writing in the margines, sticky notes fluttering from various pages, and very obvious signs of use. In contrast, I’ve also received books in pristine condition with unblemished pages, sharp corners on the covers, and no sign of ever having been opened.

Somehow, I feel that the crisp, near-new magazines I picked up and those unused textbooks have a lot in common.  In order to benefit from the knowledge and experience in any book or magazine, I’ve found that I have to interact with it. I need to read, absorb, analyze, perhaps argue, and finally, I need to apply what fits. Readers who are unwilling to “mess up” a clean page with notes and underlining may be missing essential knowledge.

Just think: If someone makes a habit of sitting down to a meal, glancing at every dish, perhaps tasting one or two, then getting up and clearing everything away, that person wouldn’t be healthy for long. Similarly, someone who skims a writing magazine isn’t going to have a healthy writing career until he or she chooses to absorb and apply available knowledge.

If you want to get the most out of a writing magazine, here are seven suggestions:

  1. Read the table of contents. Most magazines offer an annotated TOC that previews each article so that you can quickly identify those that might be most helpful. As you read articles, you can jump back to the TOC and rate them so that you’ll be able to find them again later.
  2. Have your idea notebook nearby so that you can record any ideas sparked by things you read.
  3. After reading the TOC, start at the beginning and read the whole magazine, including the editor’s letter, letters from readers, and short tips and features. There are reasons for each to be there, and you may find exactly the information you need tucked into an unexpected spot.
  4. Don’t glance at an article title and assume you know what an author is going to say. Arrogance is one of the most common reasons for missing great information.
  5. Don’t skip articles about things you don’t write. Even if you write only travel articles, for example, an article about poetry can help you write in a more evocative way.
  6. Make notes in the margins of articles and underline important thoughts. This will help you find significant points if you want to review them in the future.
  7. Use sticky notes to flag articles or other items that inspire you to action. If you read about an agent that might be a good fit for your work, flag the page. If there’s mention of a website you want to check, a book you’d like to read, or anything else that requires action, flag it.

It’s nice to be able to sell a pristine textbook or give away an almost new magazine, but the really valuable book or magazine is the one that has been read, absorbed, and used. To extract the most good from your writing magazines, study them and make them your own. You can’t become a writer just by reading a magazine, but you can become a better writer by actively learning from others who know something that you don’t know.

If you’ve reached the stage when you feel that you know all you need to know, do a quick career check. If you’re living the writing life you’ve always wanted, earning the income you believe you’re worth, then you may be right. If not, keep learning and growing. There’s almost always room for improvement!

Some books are to be tasted, others to be swallowed, and some few to be chewed and digested:

that is, some books are to be read only in parts, others to be read, but not curiously,

and some few to be read wholly, and with diligence and attention.

Francis Bacon

NaPiBoWriWee- Another Crazy Challenge

National Picture Book Writing Week, the brainchild of author Paula Yoo, is scheduled for May 1-7. I’m planning to participate, even though I’ll be at at Malice Domestic for the first couple of days. If you’re going to participate, leave a comment below, or stop back by during the week. I’d love to hear how it’s going.

Here are a few excerpts from the press release announcing the event:

In the spirit of National Novel Writing Month (“NaNoWriMo”) where people across the country try to write a complete novel in one month, the fine folks at www.paulayoo.com have decided to start the first ever National Picture Book Writing Week, affectionately nicknamed “NaPiBoWriWee.”

The goal? To write 7 picture books in 7 days.

To summarize, the basic rules:

1. Midnight May 1st to 11:59 p.m. May 7th: Write 7 separate and complete picture books.

2. You are NOT allowed to write the same picture book in 7 variations. Each book must be complete and separate.

3. No minimum word count. Instead, each book must have a clear beginning, middle and end.

4. You are allowed to brainstorm and research book topics before May 1st. Outlines are acceptable. First draft writing is NOT. Do NOT write your books before May 1st – only brainstorming, taking notes, and outlining are allowed.

5. You are NOT allowed to write a single word of your draft until midnight May 1st.

6. There is NO minimum word count required. The fine folks of NaPiBoWriWee require nothing but your word of honor. We will embrace the Honor Code. If you say you have written 7 complete picture book drafts in 7 days, we will believe you. Besides, why would you lie to us? You’re writing picture books for little children! Picture Book Authors are nice, honest people who would never lie!

7. Please register on http://paulayoo.com/ in order to write comments on Paula’s blog every day with your progress and questions. Go here for help: http://paulayoo.com/content/help-and-faqs

8. If you plan to blog about your NaPiBoWriWee journey, please include a link to:http://paulayoo.com/

9. Several winners will be chosen from random of all the people who comment from May 1-7 onhttp://paulayoo.com/ or who email me to request to be on the drawing list at paula at paulayoo dot com. Winners will receive an autographed copy of my books “SHINING STAR: THE ANNA MAY WONG STORY” (Lee & Low Books 2009)  and “SIXTEEN YEARS IN SIXTEEN SECONDS: THE SAMMY LEE STORY” (Lee & Low ‘05), along with items from our NapiBoWriWee Store(http://www.cafepress.com/paulayoo) and a couple of surprise autographed book prizes from special guest authors!

10. For those of you attending the national Society of Children Book Writers & Illustrators(http://scbwi.org/) conference in August, let me know and I’ll arrange for an informal gathering during the conference so we can meet in person and celebrate our first NaPiBoWriWee!

I Walk the Line (with apologies to Johnny Cash)

There’s a fine line between creative and commercial writing, and I find myself trying to walk it every day. I work on fiction at least four days a week, and I write non-fiction every day. My goal for each polished piece is to write the best prose I can with the information, knowledge, and resources I have at that moment. Even when I do so, I’m aware that when I look back at any piece from a few month’s distance, I’ll see things I could have done differently. It’s all in the growth of a writer. Blog posts are ephemeral thought collectors that don’t receive the same attention as polished pieces, but they too remind me to be aware of words and how they’re used.

I recently spoke with a budding author who was lamenting the need to find a job, though her novel wasn’t quite finished. Because I know she writes well, I suggested that instead of getting a job, she earn could earn what she needed through copywriting. I wasn’t surprised when she demurred, commenting that she didn’t want to ruin her writing voice.

It’s a fear I’ve encountered many times, but I believe it’s a bogey without much substance. There are creative elements in almost any writing, including all types of commercial writing. Budding ad writers everywhere are probably still advised to be creative and “sell the sizzle, not the steak” (that onomatopoeia is a bit of poetry in itself). Compelling prose is an art form, no matter where it’s found.

If you focus on each assignment, whether commercial or literary, as an opportunity to sharpen word choice, increase sentence fluency, and generally improve your craft, I believe your writing voice will be strengthened by the additional practice. And quite frankly, I feel wickedly gleeful at the thought of being paid to practice an art I love. Yet why not? Master craftsman often serve paid apprenticeships while learning their craft, and it’s a time-tested training method.

As I go back and forth between projects, I’ve found that the greatest challenge is to retain a touch of freshness in everything. Whether I’m reading a how-to or a whodunit, I want to be captivated a deft turn of phrase and charmed or chilled by a precise word choice. That’s an experience I’d like my readers to enjoy as well. Dull prose with a written-by-committee flavor is a good cure for insomnia, or for puppy training, but not for much else.

It may take a moment’s extra thought to choose a vivid word or bypass a worn-out cliche in favor of an unexpected zing, but it’s a moment well spent. I’m not always successful at meeting the freshness challenge (those pesky deadlines and the occasional bouts of verbal laziness catch up with me sometimes), but it’s something I strive for, no matter which side of the proverbial line I’m writing on.

*****

I’m reading Robert Hartwell Fiske’s little gem, Silence, Language, and Society: A guide to style and meaning, grace and compassion. It’s a vividly personal compendium of brief observations, prescriptions, and imprecations, all related to the art of words. So far, the overall theme of the book might be summed up in a single phrase: “You are what you say.” I like that thought, as it acknowledges the power of words to shape reality.

Fiske is the editor and publisher of the wonderful Vocabula Review. If you have a subscription, don’t miss Richard Lederer’s wonderful article on “The Word Magic of Lewis Carroll” in the current issue. (One of NAIWE’s benefits is that members may subscribe free, and it’s one benefit that I’m thoroughly enjoying!)

I’m inspired to write better by reading great writing and reading about the art of words. What inspires you?

National Poetry Month- Write a Poem a Day!

National Poetry Month 2010April, once called the cruelest month, is National Poetry Month. The Academy of American Poets is sponsoring a wonderful celebration this month, with a stunning poster, suggested activities, and more. You can even sign up to get a poem a day sent to your inbox.

I know several people who plan to celebrate by writing a poem every single day of the month, and I am just deciding that perhaps I’ll try it this year as well. Even if there are days when I don’t feel inspired, there’s always haiku. Not that it’s less difficult than longer poetry, but it does have the virtue of being short. I don’t write poetry often, but it’s a wonderful way to focus sharply on the craft of writing. A challenge is usually fun, too.

What about you? How will you celebrate?

And if you need to get back in touch with T.S. Eliot’s The Wasteland, you can find it at at the Poets.org site, with both text and a recorded segment. Enjoy!

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour. Read more…

The Luxury of Silence

Storyteller Louis L’Amour said he could write in the middle of a busy intersection with his typewriter on his lap. Not necessarily a good idea, I would think, but I envy his concentration. Once started, I can focus like nobody’s business. My family knows that if I’m writing, they have to work hard (aka “be obnoxious”) in order to derail me. However, it’s the getting started that’s occasionally a challenge.

Ambient noise– the ticking of the clock, the wren’s repeated “Sophia” outside my window, the UPS truck in the driveway– doesn’t bother me. If I can start the day quietly, read a bit, check the priority list, and settle into my office around 9:30, all tends to go well. It’s when something interrupts the quiet start that silence seems elusive.

Silence ranks as one of the primary luxuries I crave. When I have a delectably silent day (rare), it’s hard to emerge from the blissful solitude and have to start making noise. I’d rather put thoughts on a page than try to respond to small talk. It’s rewarding to find a voice on paper, but much harder to mine worth from the spoken word.

I dream of taking a solitary vacation to someplace quiet. For once I might reach a surfeit of silence, and find myself looking forward to noise. I can scarcely imagine it, but I’d be willing to experiment– all in the name of scholarly investigation, of course.

Yesterday, I got a lot done on my book proposal. Today, not so much, due to a disrupted morning. I wonder if it’s possible to request a year of silence as a birthday gift? I’d have to wait until June, but perhaps it takes that long to gather a good supply and get it gift wrapped. Let’s see if I can add it to my Amazon wishlist….

Don’t Write What You Know

Write who you are.

Write who you want to be.

Write where you want to go.

What what you want to know.

Write what you want to write.

Write to spend time with people who entertain you.

Write what you want to read.

Write to find out why you write.

J.D. Salinger successfully wrote what he knew, but remembered angst isn’t a necessary ingredient for success. Writers write for many reasons: some to ponder, some to explore, and others to reveal. It isn’t necessary to transcribe actual experience to paper– writers harbor pockets of deep knowledge that can be expressed in many shapes, forms, genres.

Few books are truer than the Lord of the Rings, and while Tolkein know his world well, he’d never physically experienced it–never traveled with a hobbit or sung with a dwarf. He conveyed truth because he transposed who he was and what he believed into a coherently created universe where logically imagined consequences followed creatively imagined events. Tolkein pondered and explored in his work, and through the medium of Middle-Earth, he revealed touchstones of deep truth. He must have written what he wanted to know.

When I write, I write what I want to read and I write who I am. I find the two inextricably bound together, because what I want to read is based in who I am. I write non-fiction because gaps in knowledge niggle at me until they’re filled in, so I write so that others won’t be frustrated. I write fiction because I love the sudden transport of imagination, the vanishing of the present into the possible. I write because I read. I write because I must.

Why do you write?